{"id":5761,"date":"2026-09-11T11:55:42","date_gmt":"2026-09-11T09:55:42","guid":{"rendered":"https:\/\/notam.no\/?post_type=event_listing&p=5761"},"modified":"2026-09-28T11:23:00","modified_gmt":"2026-09-28T09:23:00","slug":"live-meetup-for-kunstnere-i-teknologi","status":"publish","type":"event_listing","link":"https:\/\/notam.no\/en\/event\/live-meetup-for-kunstnere-i-teknologi\/","title":{"rendered":"Live meetup for artists in technology"},"content":{"rendered":"

Welcome to the live meet-up for artists working with technology here at Notam! October 7th, our host, Mariam Gviniashvili, will be joined by Jan Wiese with the presentation Plastic Ecology<\/em> - Creating the Conditions for Musical Education<\/em>. <\/p>\n\n\n\n

The presentation begins with a demonstration of The Extended Instrument<\/em> Vol. I and II \u2013 an electroacoustic performance practice in which the oboe, English horn, MIDI controllers, sensors, a computer, the software programmes Ableton Live and Zwobot, as well as visual elements and the room itself, interact in real time. Rather than viewing the electronics as an additional tool controlled by the performer, the focus is on the relationships between these elements and how they continuously influence and alter one another. This practical experience forms the basis for considering musical form as creation<\/em>: an ongoing process rather than a fixed structure.

Here, the term \u00abfeedback\u00bb implies more than just acoustic feedback. What happens within the system becomes part of the conditions for what happens next. Mutual interaction describes the subsequent exchange of influence: the performer shapes the system, whilst the system shapes the performer\u2019s subsequent actions.
\u00abPlastic Ecology\u00bb suggests that musical form can emerge through such interactions within an ecology of human, technological, social and environmental relationships. The presentation explores what this perspective might mean for improvisation, composition and the role of the composer.<\/p>\n\n\n\n

Jan Wiese <\/strong>
Since the early 1980s, Jan Wiese has performed in United States and Europe as a soloist with live electronics. He is regarded as a pioneer of electroacoustic improvisation, having over the years shaped a diverse and experimental artistic language that brings together contemporary jazz, oboe, live electronics, ambient, noise, electronica, and contemporary art. In recent years, this ongoing artistic process has expanded to include video and interactive visuals controlled by gesture sensors, presented in the recent concert productions The Extended Instrument Vol. 1 and The Extended Instrument Vol. 2. The Extended Instrument, Vol. 1<\/em> and The Extended Instrument Vol. 2<\/em>.

https:\/\/jan-wiese.com\/ \u2028https:\/\/www.youtube.com\/JHEWiese
https:\/\/www.ballade.no\/kunstmusikk\/obo-teknologi-og-vennskap\/<\/p>\n\n\n\n

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These meet-ups are led by composer Mariam Gviniashvili. Mariam Gviniashvili<\/strong> is a sound artist and composer who combines electronics, electroacoustics and 3D sound with visual material, dance and performance to penetrate the physical and emotional essence of sound and space.<\/p>\n\n\n\n

Meetup for artists in technology <\/strong>is a forum open to everyone, but with a particular focus on presentations led by women, transgender people and non-binary people working with technology in the arts. At these meet-ups, participants can share their artistic projects and receive feedback from one another. Typically, these meet-ups consist of a series of discussions and presentations led by various artists.<\/p>","protected":false},"featured_media":5763,"template":"","meta":{"_acf_changed":false,"_links_to":"","_links_to_target":""},"event_listing_category":[101],"event_listing_type":[95],"class_list":["post-5761","event_listing","type-event_listing","status-publish","has-post-thumbnail","hentry","event_listing_category-meetup","event_listing_type-live"],"acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-10-23 02:42:04","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"event_listing_category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/notam.no\/en\/wp-json\/wp\/v2\/event_listing\/5761","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/notam.no\/en\/wp-json\/wp\/v2\/event_listing"}],"about":[{"href":"https:\/\/notam.no\/en\/wp-json\/wp\/v2\/types\/event_listing"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/notam.no\/en\/wp-json\/wp\/v2\/media\/5763"}],"wp:attachment":[{"href":"https:\/\/notam.no\/en\/wp-json\/wp\/v2\/media?parent=5761"}],"wp:term":[{"taxonomy":"event_listing_category","embeddable":true,"href":"https:\/\/notam.no\/en\/wp-json\/wp\/v2\/event_listing_category?post=5761"},{"taxonomy":"event_listing_type","embeddable":true,"href":"https:\/\/notam.no\/en\/wp-json\/wp\/v2\/event_listing_type?post=5761"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}