{"id":3198,"date":"2025-05-15T09:36:06","date_gmt":"2025-05-15T07:36:06","guid":{"rendered":"https:\/\/notam.no\/?p=3198"},"modified":"2025-05-19T10:27:59","modified_gmt":"2025-05-19T08:27:59","slug":"presentasjon-med-feliz-anne-reyes-macahis-pa-notams-online-meetup-for-kunstnere-i-teknologi-20-05","status":"publish","type":"post","link":"https:\/\/notam.no\/en\/nyheter\/presentasjon-med-feliz-anne-reyes-macahis-pa-notams-online-meetup-for-kunstnere-i-teknologi-20-05\/","title":{"rendered":"Presentations by Feliz Anne Reyes Macahis and Zara Ali at Notam's Online meetup for artists in technology May 20th"},"content":{"rendered":"<p>May 20th, Misha Cvijovi\u0107 will be joined by Feliz Anne Reyes Macahis and Zara Ali at Notam's Online meetup for artists in technology.<\/p>\n\n\n\n<p>Meeting ID: 928 9244 5350<br>Link:&nbsp;<a href=\"https:\/\/zoom.us\/j\/92892445350\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/zoom.us\/j\/92892445350<\/a><\/p>\n\n\n\n<p><strong>Presentation May 20: Feliz Anne Reyes Macahis<\/strong><br>Feliz Anne Macahis's work spans voice, instruments, and electronics, presented in concert music, performance, and installations. It often draws inspiration from both the materiality and immateriality of the voice. With the voice as an intrinsic part of her practice, she continues to explore its various roles beyond theatricality and its traditional function of conveying a message. Her approach to electronics emphasizes spatiality and communality, extending and complementing acoustic elements.<\/p>\n\n\n\n<p>Feliz Anne Reyes Macahis is a Filipino composer living in Austria. As a PhD candidate at Kunstuniversit\u00e4t Graz, she researches Filipino epic song in the context of contemporary music, from both an academic and artistic perspective. Selected honours include ULYSSE's commissions from Ircam and the Royaumont Foundation, the Austrian Federal Scholarship for Composition, Aide \u00e0 l'\u00e9criture d'une \u0153uvre musicale originale from the Ministry of Culture\/DRAC \u00celes-de-France, and commissions from the Ernst von Siemens Music Foundation. In 2024-25 she was composer in residence at K\u00fcnstlerhof Schreyahn. This year she was also selected as one of three composers for the Edition Zeitgen\u00f6ssische Musik (EZM) Portrait CD by Podium Gegenwart - Deutscher Musikrat.<br><br><strong>Presentation 20 May: Zara Ali<\/strong><br>Zara Ali creates immersive, multidimensional worlds for us to linger in together. Ali often draws inspiration from exploring human development at the intersection of technological advances and speculative visions of the future. While Alis music often uses programmatic elements, it refuses clear dramaturgical narratives and instead forms a basis for abstract and analytical fantasy forms.<\/p>\n\n\n\n<p>Ali is based in Germany and the US, and currently resides in Weimar, Germany.\u00a0<\/p>\n\n\n\n<p><em>Photo by Feliz Anne Reyes Macahis: Marie-Luise Calvero.\u00a0<br>Photo by Zara Ali: Camilo Pach\u00f3n, Stiftung K\u00fcnstlerdorf. <\/em><\/p>\n\n\n\n<p><strong>The hosts<br><\/strong>These meetups are led by composer Mariam Gviniashvili and composer Misha Cvijovi\u0107.&nbsp;<\/p>\n\n\n\n<p><strong>Mariam Gviniashvili<\/strong>&nbsp;is a sound artist and composer who combines electronics, electroacoustics and 3D sound with visual material, dance and performance to penetrate the physical and emotional essence of sound and space.<\/p>\n\n\n\n<p><strong>Misha Cvijovi\u0107<\/strong>&nbsp;is a Berlin-based composer, pianist and sound artist who writes contemporary music for orchestra, chamber music, electroacoustic music, contemporary opera and music for theatre and film. <\/p>","protected":false},"excerpt":{"rendered":"<p>May 20th, Misha Cvijovi\u0107 will be joined by Feliz Anne Reyes Macahis and Zara Ali at Notam's Online meetup for artists in technology.<\/p>","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[6],"tags":[],"class_list":["post-3198","post","type-post","status-publish","format-standard","hentry","category-nyheter"],"acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-05-01 19:00:44","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/notam.no\/en\/wp-json\/wp\/v2\/posts\/3198","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/notam.no\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/notam.no\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/notam.no\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/notam.no\/en\/wp-json\/wp\/v2\/comments?post=3198"}],"version-history":[{"count":0,"href":"https:\/\/notam.no\/en\/wp-json\/wp\/v2\/posts\/3198\/revisions"}],"wp:attachment":[{"href":"https:\/\/notam.no\/en\/wp-json\/wp\/v2\/media?parent=3198"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/notam.no\/en\/wp-json\/wp\/v2\/categories?post=3198"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/notam.no\/en\/wp-json\/wp\/v2\/tags?post=3198"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}