Welcome to the second edition of Notam Nights here at Myrens Verksted.
On April 25, we invite you to one exhibition opening and two concerts here at Notam.
The program this evening includes the opening of "Moans and Groans" (2025) with an introduction by the artist, Mads Kjeldgaard, as well as a concert with Vilbjørg Broch and a concert with Ole Martin Huser-Olsen and Anders Vinjar.
Doors open at 17:30. The event is free.
Program Notam Nights
18:00: Exhibition opening "Moans and Groans" (2025) with introduction by Mads Kjeldgaard
Moans and Groans (2025) - Listening through touch is a series of vibrating sound sculptures.
The sculptures in Moans and Groans explores this fundamental question: How do we listen with our skin? How does nature with its skin? These questions are explored through a series of sound sculptures that translate recordings of trees’ movements into vibrations in tree branches.
18:30: Concert with Vilbjørg Broch in Notam's broadcast studio
In this concert, Vilbjørg Broch will present a selection of sound works that have been produced over the past year. A general theme is spatialisation and generative synthesis from 3D projections of higher dimensional algebra and geometric structures. Some works will be performed with acoustic vocals and include text excerpts from Kierkegaard's "The Repetition", among others.
The concert will also be played at 19:15 and 21:00.
The concert is free but requires registration due to limited space. You can register sign up here.
20:00: Concert with Ole Martin Huser-Olsen and Anders Vinjar
Fingers, arms, body, sizes, distance, geography, direction, shapes, masses, vibrations, electricity.
In the concert, you are both physically present inside in sound, in other places where the sound is, and get to experience the strong physical interaction between a virtuoso and his instrument. Huser-Olsen and Vinjar will perform works by Lasse Passage, Anders Vinjar and J. S. Bach.
Concert programme
Anders Vinjar: Modelling Musical Mechanics (acoustic guitar & live electronics)
Anders Vinjar: Meno Mosso (acoustic guitar & live electronics)
Lasse Passage: Veneer (MIDI guitar)
A. S. Bach, arranged by Anders Vinjar - Sarabande, "Crematorium 1"
Veneer - piece for MIDI guitar (duration 20″) / Lasse Passage
What is hidden behind the sound of a guitar? Veneer, a work by Lasse Passage, invites us into a world where the familiar can become unfamiliar, and where the invisible is given light. Here, in the shadow of the guitar tradition, questions are asked about what is real and what is constructed - in a reflection on the layers of reality.
Ole Martin Huser-Olsen of Sjo and Floyd
Anders Vinjar
Lasse Passage by Kim Jacobsen Two
Vilbjørg Broch
Mads Kjeldgaard by Sofie Amalie Klougart
