SuperCollider er et open source-verktøy for lydsyntese og algoritmisk komposisjon. Det brukes for komposisjon, generativ musikk, installasjoner, livekoding, instrumentbygging og veldig mange andre ting. Det er et av de mest populære og mest brukte programmeringsmiljøene for lydarbeid og er tilgjengelig gratis for alle plattformer.
Du kan bli med på møtet her:
Møte ID: 974 3258 0111
Link: https://zoom.us/j/97432580111
Presentasjoner 26.03.2026
Marije Baalman
In the project Dynamic Light Patterns Studies, I am exploring the compositional and performative possibilities of new light instruments to generate dynamic light patterns. From an interdisciplinary background in electronic music and interactive art, I intend to research how I can make a performative experience where light is a dynamic, temporal visual experience, rather than a static image. In the talk I will show how I use the Ledscape software to drive the individual LEDs of the ledstrips, together with SuperCollider.
Link to video: https://vimeo.com/956031732/162d4ddbec
Marije Baalman is an artist and researcher/developer working in the field of interactive sound and light art, based in Amsterdam. She makes music, music-theatre performances and installations. She is interested in the realtime components of the work, composing processes, behaviours and interaction modalities. Topics that she addresses with her work are the nature of interaction between and entanglement of humans and technology, the influence of algorithms on society and the human experience, and environmental change. In 2022 she published: “Composing Interactions – An Artist’s Guide to Building Expressive Interactive Systems” with V2_ in Rotterdam. She is a member of iii and Grond.
Bjarni Gunnarsson
In this talk, I reflect on the relationship between fixed structures and dynamic musical processes in my current artistic practice. Using three recent projects as points of departure, I examine how relatively stable code frameworks interact with the evolving and contingent nature of sound production and compositional decision-making. I explore how these frameworks operate not simply as technical tools but as environments that both constrain and enable musical activity. The presentation focuses on how compositional ideas emerge through interaction with these systems, where musical outcomes are shaped by iterative processes, feedback loops, and acts of listening.
Bjarni Gunnarsson is a composer and programmer interested in process-based sound, digital synthesis, and algorithmic composition. His work explores how sound and software interact, examining the influence of algorithms on musical behaviour and the contact points between system building and composition. He creates works that foreground behaviours, actions, and evolving or unstable forms, where structure emerges through interaction rather than prescription. His recent research focuses on persistent synthetic environments, live coding, digital interrupts, database systems, and machine listening for sound synthesis. Bjarni teaches at the Institute of Sonology, Royal Conservatoire in The Hague.
https://bjarni-gunnarsson.net
https://bjarni.bandcamp.com
https://soundcloud.com/bjarni
https://github.com/bjarnig
SuperCollider er nyttig for mange ting: algoritmisk komposisjon, generativ musikk, livecoding-opptredener, i forbindelse med mikrokontrollere og sensorer, for installasjonsarbeid, flerkanalsarbeid, dsp, research, ambisonics eller rett og slett lydhacking.
På disse online meetupe samles SuperCollider-brukere på alle ferdighetsnivåer for å dele ideer, frustrasjoner, hjelpe hverandre og vise frem prosjekter og arbeidsflyter på en inspirerende og vennlig måte.
Vertskap:
SuperCollider meetupene ledes av Mike McCormick. Mike McCormick er en kunstner og programmerer som arbeider med lyd, tekst og visuelle medier. Arbeidet hans kombinerer ofte algoritmer og menneskelige utøvere. Han jobber mye med personlig materiale, og undersøker livet gjennom en voyeuristisk linse, for å undersøke det ekstatiske, det skjøre og det banale. Han er oppvokst i Canadas subarktiske område, levde nomadisk i et tiår, og har vært basert i Oslo siden 2017.
